chairs. REGGIE and SYLVIE
appear, their conversation continuing.
SYLVIE
With a rich husband and this years
clothes you will not find it difficult
to make some new friends.
REGGIE (sitting)
I admit I moved to Paris because I was
tired of American Provincial, but that
doesnt mean Im ready for French Traditional.
I loathe the idea of divorce, Sylvie,
but -- if only Charles had been honest
wit
chair. Her eyes are tired -- red from
crying. She is mid thirties -- attractive, but her looks come
more from effort than nature -- expensive hair cut -- the right
cosmetics. She has a corporate look to her.
Cardenas steps into the hall and walks over to her.
CARDENAS
Miss Braslow -- Im District Attorney
John Cardenas. You arrived at what
time tonight?
??
JOANNE
A little after eleven.
??
CARDENAS
HIGHLANDER
??
Screenplay by
Gregory Widen
and
Peter Bellwood & Larry Ferguson
February 6, 1985
??
??
FADE IN:
MADISON SQUARE GARDEN
New York Rangers v. Edmonton Oilers.
15,000 screaming fans leap to their feet.
Gretsky steals the puck, streaks across the ice, beats two
defenders, shoots and scores.
Oilers 6, Rangers 0. Oiler fans bellow approval
One silent SPECTATOR, in overcoat, slacks and scarf
chair uncomfortably.
MISS PERKY
(continuing)
Any questions?
CAMERON
I dont think so, maam
MISS PERKY
Then go forth. Scoot Ive got
deviants to see.
Cameron rises to leave and makes eye contact with PATRICK
VERONA, a sullen-looking bad ass senior who waits outside Ms
Perkys door. His slouch and smirk let us know how cool he
is.
Miss Perky looks down at her file and up at Patrick
MISS PERKY
(con
chair,
my table, my bed,
my breeze and my sun.
I sit in exile.
I sit in fake land.
Because I dream, I am not.
Because I dream, I am not.
I had started writing down
everything that crossed my mind.
My family had become characters
in a fiction.
And I spoke of them
as if they were strangers.
As far back as I remember,
it was the smells and the light
that solidified
my first memories.
My grandmother
spectators shifts suddenly. A man has shoved another man and
theyre really going at it now. The swing at each other and tear
at each others clothing. One mans flailing fist connects and
the other mans face is instantly bloodied. The fight grows even
more spastic. Policemen try to stop it.
CAB DRIVER
Crazy fucks.
The driver pulls away and the cab rages down the street.
Somerset watches the parade
chair in front of a wall of monitors. IMAGES OF TITLES
reading "D.T.V.," "MARRIAGE MAZE," "DENTONVALE,"
"HAPPY HOMES," "DENTON DOSSIER," "FAITH FACTORY" INERSPERSED
ON MONITORS WITH SHOT OF studio activity. Farley is sitting
at a table flanked by VANCE PARKER standing at attention.
To his right are seated MAC and NATION. To his left RALPH
and MACY. Directly opposite him, back to CAMERA, is
BERT S
chair, with his feet stuck out over the hot colas of
a fire burning in a brazier. He is being held in that
position by LAMBERT, who is a thug employed by FENNYMAN,
who is the owner of the VOICE. The fourth man, FREES, is
FENNYMANS bookkeeper.
FENNYMAN
What am I, Mr. Lambert?
LAMBERT
Bitten, Mr. Fennyman.
FENNYMAN
How badly bitten, Mr. Frees?
FREES
Twelve pounds, one shilling and four
pence,
THE BIG BLUE
by
Luc Besson
Bob Garland
Marylin Golden
"God is at the bottom of the sea and
I dive to find him."
Enzo Maiorca
??
FADE IN:
EXT. GREEK ISLAND - SUNSET
CREDIT SEQUENCE:
The image is in black and white.
The sun disappears behind arid cliffs which cast giant
shadows on the sea.
A little boy around 8 years old -- tanned from head to toe
-- sprints along the cliffs, scrambles from one roc
??
FULL METAL JACKET
The screenplay by
Stanley Kubrick, Michael
Herr and Gustav Hasford
Based on the novel The short-Timers by Gustav
Hasford
1987
-----------------------------------------------------
FADE IN:
WARNER BROS. LOGO:
WARNER BROS. PICTURES
WB
A WARNER COMMUNICATIONS COMPANY
LOGO FADES OUT:
Music:
Johnny Wrights "Hello Vietnam"
TITLE: A STANLEY KUBRICK FILM
CUT
TO:
TITLE: FULL METAL